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      High Speed Camera Selection Guide

How to determine which high-speed digital video camera

is best for your application

How do you determine what high-speed camera frame rate you need?

When considering the purchase of a high-speed digital camera like TroubleShooter to examine process anomalies or study motion mechanics, the first question to ask is, “How high a frame speed do I need to capture the events that I need to see?” In the case of production machinery, it is tempting to simply divide the frame rate in seconds of a camera being considered by the line speed in units per second to obtain the number of frames per unit.

Example
The Fastec TroubleShooter LE 250 captures
video at 250 frames per second.
If a system for liquid filling/capping/
White paper on High Speed Camera Selection Guide crimping runs at:

— 400 containers per minute
(about 7 units per second)

— Divide 250 frames/second
by 7 units/second to get 35.7
frames per unit.

30 frames per unit is usually considered to be enough to capture an event, so the TroubleShooter LE 250 is the perfect camera by this measurement.

The table below illustrates this concept by showing frames per piece at progressive line speeds (in pieces per minute) for different camera speeds in frames per second.
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The Cream Zone numbers show (greater than 30 frames acquired per piece)
the “safe” area where there are reasonable assurances that an event will be effectively captured.

The Tan Zone (11-30 frames per piece) indicates a “marginal” area where successive trials may be necessary to capture an event.

The Orange Zone
(10 frames or less) is the “inadequate” area where event capture is not at all certain.

But the situation is often not quite that simple. The liquid filling system may (and probably does) have multiple heads to fill multiple containers simultaneously. We usually want to study the action of only one of these heads. Suppose for simplicity’s sake that this unit has seven heads, one head does one unit in one second. We could probably record this event with high-speed digital video, or just observe with the eye, which can generally distinguish events down to 1/10 second. The issue now is that this “event” as we’ve defined it is comprised of several events of interest, which for this system could be:
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We know from experience that load/unload can take as much as half of the second we have to complete this unit. The other five events must all occur in the half second that is left. If we are fortunate and they each take about the same amount of time, then each event can take 0.2 seconds. We’ll need a rate of 150 frames/second to acquire 30 frames for each event. Not too difficult, but we have not yet considered acceleration. Steppers and servomotors do not ramp up and ramp down instantly.
White paper on high-speed camera selection guideA speed vs. time curve
for a motor motion can
look like this:


Ramp-up or ramp-down can be as little as 1/4 of the total interval of 0.2 seconds, or 0.05 second. If we needed to capture a ramp-up, we’d need 30 frames in 0.05 second, or 600 frames/second!

Fortunately, most systems are designed such that functional events do not occur during ramp-up or down. What is important is that it would be better to get 30 frames in 3/4 of our 0.2 seconds, or 0.15 second, so we need a camera speed of 200 frames/second to do this. This is still well within reach of the TroubleShooter 250’s capabilities.
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Sports Training

To briefly consider another application from sports training, suppose we need to analyze a golf swing. Standard 30 fps video is adequate to observe the entire swing. But, suppose we want to view the impact of the club head on the ball in slow motion. We would want to record the acceleration of the ball off of the head as it first compresses into the head, and then springs off. This event would occur in just a few thousandths of a second, and would probably require frame rates between 500 and 1000 fps.

Under certain circumstances, the anomaly we wish to observe may be short enough to happen by chance between frames, and will be missed on a single recording. Does this mean we need a faster camera? Not necessarily. What we need is the ability to record an event, observe the frames on the spot, and shoot again if the anomaly was missed. The probability is that in a few “takes,” we should have enough information about the problem to make adjustments. Remember, the goal is not to characterize the problem, but to gain enough data to make adjustments.
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Determine The Camera Frame Rate

Let’s now consider modeling an assembly line to determine the camera frame rate necessary for effective analysis and adjustment. For each system on the line, we can do the following:

1. If a machine performs multiple simultaneous operations like our fictional liquid filler, we divide its actual line speed in units per second by the number of simultaneous operations to get the speed of each functional unit.

2. Now we can characterize a system in the same way that we did our liquid filler, identifying those discrete operations of interest that we would want to observe in slow motion, remembering our acceleration issues if there are any.

3. By using manufacturer’s data, or interpolating from line speed performance, we deduce the total interval for each of these operations of interest. Manufacturer’s data, if available, can be highly useful in this exercise.

4. Taking the smallest time interval for an operation of interest on a system, we multiply by 30 frames to obtain the required speed in frames per second. We now have the lowest effective frame rate that will help us maintain this one system.

5. After repeating steps 1-4 for each system on our line, we rank our systems from highest necessary frame rate to lowest. If one of our systems stands out as requiring much higher frame rates than the rest of the line, we may have to examine reliability data for that system, and determine whether or not we need to obtain a camera that will help us with all of our systems, or purchase a less expensive camera that will satisfy the bulk of our needs.
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Lens Focal Length

Another factor often considered in the selection of high-speed cameras is field of view (FOV), or how much of the subject that the camera actually captures on a single frame. This is really a function of the lens used on the camera and the distance of the camera from the subject. The higher the focal length of the lens, the higher the magnification, and the smaller the FOV, as the following chart shows for a distance from camera to the sensor of 0.250 meters.

FOV (in meters)
Lens Focal Length white paper on high-speed video cameras
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We appreciate your questions and comments at Fastec, and we hope you will take the opportunity to Contact Us with your application issues. We would like to hear from you.
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Fastec manufactures portable, point and shoot digital video cameras for motion analysis in plant maintenance and field service troubleshooting, research, military test and instrumentation and sports training.

 



 


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